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La peinture de Serge Poliakoff a été essentielle dans mon parcours.
Avec lui, je suis rentré dans l'esthétique abstrait, dans la forme non-figurative.
L'Abstrait, dans mon travail, signifie la construction d'un monde tellurique, cosmique et métaphysique, comme un possible...
Où la notion de chemin -symboles, lignes, échelles...- « topographise » mon univers.
S'y interroge alors ma place, notre place dans l'espace et dans le temps.
Cyril Clair
Born in October 68 in La Rochelle. Studies of drawing techniques, very early attracted by arts, searching for a mean of expression through the image. Trained himself to photography from 92 to 94 in Montpellier. First black and white photo exhibition in 1995 in Montpellier Corum photographers.
The meeting with Richard Texier, Marc Baumman and the artist Bruce Krebs during a stay of several months in the art foundry 'Les Meteores' directed by the painter and sculptor Fabrice Lebar, will confirm painting as privileged language. Lives and works in Dordogne (France)
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La peinture de Serge Poliakoff a été essentielle dans mon parcours.
Avec lui, je suis rentré dans l'esthétique abstrait, dans la forme non-figurative.
L'Abstrait, dans mon travail, signifie la construction d'un monde tellurique, cosmique et métaphysique, comme un possible...
Où la notion de chemin -symboles, lignes, échelles...- « topographise » mon univers.
S'y interroge alors ma place, notre place dans l'espace et dans le temps.
Cyril Clair
Born in October 68 in La Rochelle. Studies of drawing techniques, very early attracted by arts, searching for a mean of expression through the image. Trained himself to photography from 92 to 94 in Montpellier. First black and white photo exhibition in 1995 in Montpellier Corum photographers.
The meeting with Richard Texier, Marc Baumman and the artist Bruce Krebs during a stay of several months in the art foundry 'Les Meteores' directed by the painter and sculptor Fabrice Lebar, will confirm painting as privileged language. Lives and works in Dordogne (France)
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